Swagger Mp3 Audio Details
There are at least two ways to perform digital sample rate conversion:(a) If the two frequencies are in a fixed ratio, the conversion can be done as follows: Let F = lowest common multiple of the two frequencies. Generate a signal sampled at F by interpolating 0s in the original sample. This will also introduce replicas at multiples of the baseband frequency. Remove these with a digital low pass filter, until only the signals with less than half of the output sample frequency remain. Then reduce the sample rate by discarding the appropriate samples.(b) Another approach is to treat the samples as a time series, and create any needed new points by interpolation. In theory any interpolation method can be used, though linear (for simplicity) and a truncated sinc function (from theory) are most common. If samples are being removed(lower sample rate), a low pass filter at half the output frequency can be applied to bandlimit the signal before interpolation, reducing the likelihood of aliasing.
Although the two approaches seem very different, they are mathematically identical. Picking an interpolation function in the second scheme is equivalent to picking the impulse response of the digital filter in the first scheme. Linear interpolation is equivalent to a triangular impulse response; sinc() will be an approximation to a brick-wall filter (it approaches the desirable "brick wall" filter as the number of points increase).
If the sample rate ratios are known, fixed, and rational, method (a) is better, in theory. The length of the impulse response of the filter in (a) is the same as choosing the number of points used in interpolation in (b). In approach (a), a slow precomputation such as the Remez algorithm can be used to compute the "best" response possible given the number of points (best in terms of peak error in various frequency bands, and so on). Note that a truncated sinc() function, though correct in the limit of an infinite number of points, is not the most accurate filter for a finite number of points.
There are at least two ways to perform digital sample rate conversion:(a) If the two frequencies are in a fixed ratio, the conversion can be done as follows: Let F = lowest common multiple of the two frequencies. Generate a signal sampled at F by interpolating 0s in the original sample. This will also introduce replicas at multiples of the baseband frequency. Remove these with a digital low pass filter, until only the signals with less than half of the output sample frequency remain. Then reduce the sample rate by discarding the appropriate samples.(b) Another approach is to treat the samples as a time series, and create any needed new points by interpolation. In theory any interpolation method can be used, though linear (for simplicity) and a truncated sinc function (from theory) are most common. If samples are being removed(lower sample rate), a low pass filter at half the output frequency can be applied to bandlimit the signal before interpolation, reducing the likelihood of aliasing.
Although the two approaches seem very different, they are mathematically identical. Picking an interpolation function in the second scheme is equivalent to picking the impulse response of the digital filter in the first scheme. Linear interpolation is equivalent to a triangular impulse response; sinc() will be an approximation to a brick-wall filter (it approaches the desirable "brick wall" filter as the number of points increase).
If the sample rate ratios are known, fixed, and rational, method (a) is better, in theory. The length of the impulse response of the filter in (a) is the same as choosing the number of points used in interpolation in (b). In approach (a), a slow precomputation such as the Remez algorithm can be used to compute the "best" response possible given the number of points (best in terms of peak error in various frequency bands, and so on). Note that a truncated sinc() function, though correct in the limit of an infinite number of points, is not the most accurate filter for a finite number of points.
Swagger Mp3 Audio
Swagger Mp3 Audio
Swagger Mp3 Audio
Swagger Mp3 Audio
Swagger Mp3 Audio
Swagger Mp3 Audio
Swagger Mp3 Audio
Swagger Mp3 Audio
Swagger Mp3 Audio
Swagger Mp3 Audio
Swagger Mp3 Audio
Swagger Mp3 Audio
Swagger Mp3 Audio
Swagger Mp3 Audio
Swagger Mp3 Audio
Swagger Mp3 Audio
Swagger Mp3 Audio
Swagger Mp3 Audio
Swagger Mp3 Audio
Swagger Mp3 Audio
Swagger Mp3 Audio
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